Across the universe online
An original musical film, Across The Universe is a fictional love story set in the 1960s amid the turbulent years of anti-war protest, the struggle for free speech and civil rights, mind exploration and rock and roll. At once gritty, whimsical and highly theatrical, the story moves from high schools and universities in Massachusetts, Princeton and Ohio to the Lower East Side of Manhattan, the Detroit riots, Vietnam and the dockyards of Liverpool. A combination of live action and animation, the film is paired with many songs by The Beatles that defined the time

Explores the question of whether it's ever too late to say 'I love you'. The story revolves around Lucy Kelson (Bullock), a brilliant but neurotic attorney, and her client (Grant), who is "charming, irresponsible and fabulously wealthy." Witt plays a young Harvard graduate who also represents Grant's character.

But I'm a Cheerleader online
But I'm a Cheerleader is a 1999 satirical romantic comedy film directed by Jamie Babbit and written by Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, an apparently happily heterosexual high school cheerleader. However, her friends and family are convinced that she is a homosexual and arrange an intervention, sending her to a reparative therapy camp to cure her lesbianism. At camp, Megan soon realizes that she is indeed a lesbian and, despite the therapy, gradually comes to embrace this fact. The supporting cast features Clea DuVall, Cathy Moriarty, RuPaul, Mink Stole and Bud Cort.
But I'm a Cheerleader was Babbit's first feature film. It was inspired by an article about conversion therapy and her childhood familiarity with rehabilitation programs. She used the story of a young woman finding her sexual identity to explore the social construction of gender roles and heteronormativity. The costume and set design of the film highlighted these themes using artificial textures in intense blues and pinks.
When it was initially rated as NC-17 by the MPAA, Babbit made cuts to allow it to be re-rated as R. When interviewed in the documentary film This Film Is Not Yet Rated Babbit criticized the MPAA for discriminating against films with homosexual content. The film was not well received by critics who compared it unfavorably to the films of John Waters and criticized the colorful production design. The lead actors were praised for their performances but some of the characters were described as stereotypical

Dreaming Lhasa online
Karma, a Tibetan filmmaker from New York, goes to Dharamsala, the Dalai Lama's exile headquarters in northern India, to make a documentary about former political prisoners who have escaped from Tibet. She wants to reconnect with her roots but is also escaping a deteriorating relationship back home.
One of Karma's interviewees is Dhondup, an enigmatic ex-monk who has just escaped from Tibet. He confides in her that his real reason for coming to India is to fulfill his dying mother's last wish, to deliver a charm box to a long-missing resistance fighter. Karma finds herself unwittingly falling in love with Dhondup even as she is sucked into the passion of his quest, which becomes a journey into Tibet's fractured past and a voyage of self-discovery.

Kate and Leopold online
When two strangers meet in New York City, a century's worth of differences come crashing together. Kate McKay is a modern-day executive, a 21st century woman driven to succeed in the corporate world. Leopold, the Third Duke of Albany, is a charming 19th century bachelor. Each has grown weary of waiting for love. But when a dramatic twist of fate lands Leopold in present-day New York, they must confront the prospect of a love affair 100 years in the making.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boy friend, Stuart, lives above her apartment and finds this space near the Brooklyn Bridge where there is a gap in time. He goes back to the eighteen hundreds and takes pictures of the place. Leopold, a man living in the 1870's, was puzzled by Stuart's tiny camera and decides to follow him and they both ended up in this century. Leopold is clueless about his new surroundings. He gets help and insights from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters. Written by Rosemea D.S. MacPherson
Leopold is an English and broken baron living in New York in the end of the Nineteenth Century. He needs to get married with a rich fiancйe to recover his family position from ruin. Kate is a successful businesswoman living also in New York, but in 2001. Due to a time incident, they meet each other in the present days and they fall in love to each other

Ally McBeal (Season 1 +season 2) online

P.S. I Love You (2007) online
A grieving young widow discovers that her late husband has left her a list of tasks revealed in 10 messages, delivered anonymously, intended to ease her out of grief and transition her to a new life.
Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing her further into a new future. With Gerry's words as her guide, Holly embarks on a journey of rediscovery in a story about marriage, friendship and how a love so strong can turn the finality of death into a new beginning for life.

Breakfast At Tiffany's online
Blake Edwards's adaptation of Truman Capote's classic novella is ideally cast with Audrey Hepburn in the role of Holly Golightly. The free-spirited gamine darts about New York, feted by wealthy men drawn to her megawatt charm and elegance, hoping that the party will never end. After "shopping" in front of Tiffany's window, she meets aspiring writer Paul Varjak (George Peppard), and they begin a platonic friendship. "Sponsored" by an older woman (Patricia Neal) whose interest in the young man is more than literary, he can identify with her experience better than most, taking it upon himself to protect her from the worst aspects of city life. But she seems to need little protection from such friends as incarcerated mob boss Sally Tomato (Alan Reed), who pays her to carry messages to Sing Sing. With her infectious joi de vivre, she helps Paul break through a paralyzing case of writer's block. But when the genial Doc Golightly (Buddy Ebsen) appears in New York in search of Holly, the sources of her gossamer lifestyle suddenly become clearer. Edwards's lighter-than-air romantic comedy, set in a fantasy New York, rides on the irresistible charm of Hepburn at her peak, as well as a memorable score by Henry Mancini. Although George Axelrod's screenplay is as different from the original story as George Peppard is from the young Capote, the film succeeds on its own terms.

High School Musical 1-2
The all-new, smash hit Disney Channel Original Movie everyone is talking about is now available for the first time ever on -- with never-before-seen bonus features that will rock your house! Troy (Zac Efron), the popular captain of the basketball team, and Gabriella (Vanessa Anne Hudgens), the brainy and beautiful member of the academic club, break all the rules of East High society when they secretly audition for the leads in the school's musical. As they reach for the stars and follow their dreams, everyone learns about acceptance, teamwork, and being yourself. And it's all set to fun tunes and very cool dance moves! Featuring the hottest talent, HIGH SCHOOL MUSICAL celebrates the power of music in this hip, entertaining, gotta-get-up-and-dance movie.
What time is it? Time for High School Musical 2, the sequel to the Disney Channel smash that aired on Aug. 17, 2007 and became the most-watched basic-cable show ever. School is out, and Troy (Zac Efron) and Gabriella (Vanessa Hudgens) are looking forward to a summer to remember, but Troy also needs to make bank so he can go to college. As it turns out, Sharpay (Ashley Tisdale), the self-proclaimed primo girl of East High, has her eye set on primo-boy Troy, and gets him a job at the country club her parents own. It looks great for Troy when Gabriella and the rest of the Wildcats are hired also, but when he gets preferential treatment from the club manager (Mark Taylor) and others, it puts all of his relationships in hot water.
Everyone's back from the original movie, including Zac's buddy Chad (Corbin Bleu), Sharpay's brother Ryan (Lucas Grabeel), and Gabriella's friend Taylor (Monique Coleman). And the songs on the hit soundtrack often parallel the originals and are just as catchy: the Troy-Gabriella duet ("You Are the Music in Me," which is later Sharpay-ized into a rock version), the sports-flavored hip-hop number ("I Don't Dance," but this time on the baseball diamond instead of the basketball court), the Gabriella lament ("Gotta Go My Own Way"), the climactic stage duet ("Everyday"), and the mass-ensemble closer ("All for One"). But the sequel doesn't just stick to the status quo. Other songs include a flashy opener ("What Time Is It"), Sharpay's poolside feature ("Fabulous"), a percussive ensemble number ("Work This Out"), and Zac's solo ("Bet On It"), and the dances are even bigger this time around, relentlessly high-energy and often spectacular. In addition, the "let's put on a show" angle ! is only a subplot and the romance is now front and center--which means High School Musical has lost a bit of its innocence. But it's still wholesome viewing for tweens of all ages. Sharp-eyed Disney Channel fans will spot Miley "Hannah Montana" Cyrus as an extra.
The extended-edition adds one new scene, in which Sharpay and Ryan perform the Hawaiian-themed "Humuhumunukunukuapua'a," which not only is fun but adds a bit of character development for Ryan. This number (which was on the CD as a bonus track) is incorporated into the movie and also accessible from the bonus-features menu, along with a four-minute blooper reel and music videos for "You Are the Music in Me" (one U.S. version and a Mexican version with Paulina Holguin and Roger) and "Gotta Go My Own Way (Canadian versions in French and English, both with Nikki Yanofsky). A "dance rehearsal cam" shows the choreographers and cast working on nine numbers (36 minutes total). Director-choreographer Kenny Ortega coaches, offers pep talk, and declares, "If it wasn't for Annette Funicello and Frankie Avalon, we wouldn't be here!" There are two sing-along options, one with English subtitles and a "karaoke" version with English subtitles but no vocals

Dance with Me
It's not exactly Fred Astaire and Ginger Rogers, but this 1998 entry, starring Vanessa Williams and newcomer Chayanne offers its own terpsichorean pleasures. The story centers on Rafael Infante (Chayanne), a Cuban émigré to Texas, where he takes a menial job at a local dance studio run by John Burnett (Kris Kristofferson). There, he falls for Ruby Sinclair (Vanessa Williams), a one-time ballroom championship contender looking for the opportunity to compete for the title once more. The romance seems a foregone conclusion but has some snap thanks to a crisp performance by Williams and a sunny (if limited) one by Chayanne, a singing star in Puerto Rico. Best of all is the dancing itself. In terms of both energy, exuberance, and style, this film's dance sequences rank with the best of the decade's limited celebration of the kinetic art, such as Strictly Ballroom and Shall We Dance. Though the movie's central plot secret seems obvious from the first downbeat, the film takes off every time the dance music kicks in

Les amants reguliers online
Les Amants Réguliers (Regular Lovers), the latest from Philippe Garrel, appears to be the director's response to Bernardo Bertolucci and his 2003 take on Paris '68, The Dreamers. Shot in gorgeous black and white by William Lubtchansky (cinematographer on a handful of Godard films), it not only captures the Paris of that tumultuous year, but feels like a genuine artifact from the era.
That both The Dreamers and Les Amants Réguliers feature Garrel's son Louis in a leading role is only the first of the similarities between the two. Les Amants Réguliers takes the basic structure of The Dreamers and turns it on its head. Whereas Bertolucci kept his young somnambulists holed up in an apartment until the final moments, Garrel chooses to open the film with the May riots (under the chapter heading "Hopes of Fire"), and this lengthy sequence, with its deep shadows and dreamlike landscapes contains the film's strongest moments, ending with a dawn trek across the rooftops of Paris that more than justifies Lubtchansky's recent award at Venice.
With such a powerful first third, how can Garrel possibly top that in the two hours that follow? Therein lies the problem -- the remainder of the film, which follows the post-May existence of a group of friends, has some wonderful moments, but lacks the vitality (and brilliance) of the first hour. Francois (Louis Garrel) and his fellow jeunesse dorée sit around, smoke copious amounts of opium, dance to Nico and The Kinks (in scenes reminiscent of the Heroin sequence from Last Days), and discuss poetry, politics, cinema, and the failed revolution -- they have become the dreamers.
Francois eventually falls in love with Lilie (Clotilde Hesme), a sculptor, and their budding relationship has a real Nouvelle Vague feel to it. Garrel romanticizes romance like no other, and the entire sequence would fit nicely in an early Godard, Rohmer, or Eustache film. Jean-Claude Vannier's piano score, which begins with quiet, melodic themes, soon turns to almost discordant hammering as the relationship both intensifies and self-destructs.
Just as Bertolucci's film began with Michael Pitt's arrival from America, so Garrel's film ends with a character leaving Paris for Brooklyn. Though he hasn't explicitly stated a dissatisfaction with The Dreamers, there is a moment in the film that is quite telling. During a discussion of Before the Revolution, a young woman slowly turns to the camera and says "Bernardo Bertolucci". Could this be interpreted as a dig -- as a means of explicitly reminding us of the great director he once was?
Even with its flaws, Les Amants Réguliers is still essential viewing for any lover of cinema. Three hours of moments in time, with many of them nothing short of mesmerizing.

Pride and Prejudice (2003) online
Elizabeth Bennet is a hard-working, intelligent college student who won't even think about marriage until she graduates. But when she meets Jack Wickham, a good-looking playboy, and Darcy, a sensible businessman, Elizabeth's determination is put to the test. Will she see through their exteriors and discover their true intentions? Based on Jane Austen's timeless tale Pride and Prejudice, Bestboy Pictures presents a comedy about love, life and feminine persuasion

Tipping the Velvet (2003) online
This adaptation of Sarah Waters popular novel follows Nan Astley (Rachael Stirling) as she blossoms into womanhood and explores her sexuality, ostensibly forbidden in Victorian society. Nan seems destined for marriage to a nice, but dull, suitor in her seaside, English town. However, a trip to the theater changes everything when she falls in love at first sight with the ravishing Kitty Butler (Keeley Hawes), a gorgeous woman who makes a living posing as a young boy and singing in a vaudeville-style cabaret--even to the extent of cutting her hair short. Though at first unable to identify her feelings, Nan simply cannot get enough of Kitty, and soon begins to spend every available second with her. As the two grow closer, Kitty invites Nan to accompany her to London. Against her family's wishes, the two move, and Nan eventually joins the show as another gender-bending performer. However, while Nan feels only blissful love for Kitty, Kitty cannot accept the fact of their relationship, and soon begins an affair with a man. Her relationship over, devastated Nan has no career and no love. Using the boyish costumes from her show, Nan begins to prostitute herself to men who are looking for teenage boys. From there, her life spins in wild directions, as she resolves her sexuality, becomes a concubine for an abusive wealthy woman, again ascends to stardom, and finds true love